by Catherine Davidson-Hiers
Earlier this month, a German violinist flew in from New York to play at UWF for a small concert. Samuel Park, a graduate of UWF himself, now attends Juilliard on a violin scholarship. Born in Germany but of Korean descent, Mr. Park’s musical enthusiasm is contagious. Often having been described as having a “sensual” interpretation of his art, Mr. Park demonstrated his outstanding abilities in an hour-and-a-half concert in which he played as soloist for all but one piece. Notwithstanding, Mr. Park delivered each piece convincingly and emotionally; he also memorized and performed a ten minute composition by Franz Waxman, “Themes from Bizet’s Opera ‘Carmen.’”
In the first half of the concert, Mr. Park performed on a Baroque violin, which he explained to the audience, “differs greatly from a normal fiddle.” He then pointed out the gut-made strings and the lack of a chinrest. If one looked closely enough, one would also notice the differences between normal and Baroque violin bows and the differing sizes of the two violins.
Mr. Park was in Pensacola on pleasure, not business, but pleasure for him includes everything violin. That is how the lucky members of the UWF auditorium’s audience were able to experience the artistry of Samuel Park that night. Ending to the sounds of a standing ovation, Mr. Park was applauded back to the stage twice, and finally conceded to play an encore. Again, applauded offstage by a standing ovation, Mr. Park waved good night to many of the audience members; ten minutes later, he stood amongst them, greeting old friends and making new acquaintances.
Needless to say, it was a night to remember. Samuel Park’s “sensual” interpretation is haunting and emotional and will change the way many view and hear music now and in the future. Best of luck to him in his endeavors and Juilliard and Pensacola wish him a fond farewell and bright future.